Tintoretto
Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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Tintoretto Christ in Maria and Marta oil painting


Christ in Maria and Marta
m k186 around 1580 Munchen, old Pinakothek
Painting ID::  45460
Tintoretto
Christ in Maria and Marta
m k186 around 1580 Munchen, old Pinakothek
   
   
     

Tintoretto The funf senses with landscape oil painting


The funf senses with landscape
mk186 around 150 Venice, Gallerie Dell' Accademia
Painting ID::  45595
Tintoretto
The funf senses with landscape
mk186 around 150 Venice, Gallerie Dell' Accademia
   
   
     

Tintoretto The communion oil painting


The communion
mk186 1592-94 Venice church San Giorgio Maggiore
Painting ID::  45621
Tintoretto
The communion
mk186 1592-94 Venice church San Giorgio Maggiore
   
   
     

Tintoretto Entombment oil painting


Entombment
1592-94 Oil on canvas, 288 x 166 cm
Painting ID::  51003
Tintoretto
Entombment
1592-94 Oil on canvas, 288 x 166 cm
   
   
     

Tintoretto Portrait of Giovanni Paolo Cornaro oil painting


Portrait of Giovanni Paolo Cornaro
1561 Oil on canvas, 102 x 81,2 cm
Painting ID::  51083
Tintoretto
Portrait of Giovanni Paolo Cornaro
1561 Oil on canvas, 102 x 81,2 cm
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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